Supporting great art, design and architecture projects is Australian philanthropist Naomi Milgrom’s aim with the Naomi Milgrom Foundation. Founded in 2014, the Foundation aspires to enrich Australian cultural life and engage new audiences. It has become a model for public-private collaboration by backing projects with a focus on public, industry and education.

MPavilion is the foundation’s centrepiece project and Australia’s leading architecture commission. An international success that brings together government, business and private sectors to collaborate, MPavilion is a civic space and cultural laboratory, and the space of a four-month-long summer program of free cultural events in Melbourne’s Queen Victoria Gardens. At the culmination of the program, MPavilion is gifted to the City of Melbourne and relocated to a permanent home.

Naomi Milgrom Foundation dates in 2017:
• Naomi Milgrom, Commissioner for Australia, Venice Biennale 2017 (13 May to 26 November).

Living Cities Forum 2017 with support from Creative Victoria (27 July).

MPavilion 2017, designed by OMA / Rem Koolhaas & David Gianotten (opens 3 October).

For media enquiries please email media@mpavilion.org

For general enquiries please email info@naomimilgromfoundation.org

While we welcome your comments and feedback, the Foundation does not solicit or wish to receive requests for funding from any organisations or individuals.

David Gianotten (L) and Rem Koolhaas (R), architects of the 2017 MPavilion.
David Gianotten (L) and Rem Koolhaas (R), architects of the 2017 MPavilion.
NM_Portrait


About Naomi Milgrom AO

Australian entrepreneur Naomi Milgrom AO has been a collector of contemporary art and a supporter of the arts, science and education for more than three decades. Naomi seeks projects that push boundaries and challenge the way we see the world.

In 2016 Naomi received a Philanthropy Leadership Award and earlier, in 2010, an Order of Australia (AO) for business and community leadership, and philanthropy. She chaired the Australian Centre for Contemporary Art (ACCA) for six years and has served on the boards of a variety of business, arts and science organisations. Naomi has supported publicly funded institutions and festivals including the Australian Chamber Orchestra, Melbourne Festival, Queensland Art Gallery, Australian Centre for the Moving Image, Sydney Dance Company, Melbourne Recital Centre and Sydney Biennale. A leading Australian businesswoman she is executive chair of the 550-store fashion retailer The Sussan Group which includes brands Sportsgirl, Sussan and Suzanne Grae.

Australia Pavilion at the Venice Biennale 2017, represented by Tracey Moffatt. Image: Tracey Moffatt, Hell from the series Passage 2017, type C photograph on gloss paper. Courtesy of the artist and Roslyn Oxley9 Gallery, Sydney and Tyler Rollins Fine Art, New York.
Australia Pavilion at the Venice Biennale 2017, represented by Tracey Moffatt. Image: Tracey Moffatt, Hell from the series Passage 2017, type C photograph on gloss paper. Courtesy of the artist and Roslyn Oxley9 Gallery, Sydney and Tyler Rollins Fine Art, New York.
The Living Cities Forum 2017.
The Living Cities Forum 2017.
MPavilion 2016 by Bijoy Jain of Studio Mumbai. Image courtesy of John Gollings.
MPavilion 2016 by Bijoy Jain of Studio Mumbai. Image courtesy of John Gollings.
MPavilion 2015 by Amanda Levete of AL_A. Image courtesy of John Gollings.
MPavilion 2015 by Amanda Levete of AL_A. Image courtesy of John Gollings.
MPavilion 2014 by Sean Godsell of Sean Godsell Architects. Image courtesy of Earl Carter.
MPavilion 2014 by Sean Godsell of Sean Godsell Architects. Image courtesy of Earl Carter.

Walter Van Beirendonck: Dream The World Awake (RMIT Design Hub)

Photo by Peter Bennetts

Walter Van Beirendonck: Dream The World Awake (RMIT Design Hub)

Photo by Peter Bennetts

David Bowie Is… (ACMI, 2015)

Photo by Mark Gambino

David Bowie Is… (ACMI, 2015)

Photo by Mark Gambino

Julian Rosefeldt: Manifesto

Commissioned by ACMI and the Art Gallery of New South Wales

Julian Rosefeldt: Manifesto

Commissioned by ACMI and the Art Gallery of New South Wales